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Democracy, the cornerstone of our civilisation, seems like it has been for sale
to the highest bidding corporations.-Photo: DeviantArt
Cigarette packaging: a retreat on public health that shames No 10
'The government's decision to postpone a decision on cigarette packaging is indicative of its willingness to put corporate interests before public health.'
(Observer editorial, The Observer, Sunday 14 July 2013)
In 2011, smoking was still linked to 80,000 deaths in England. Photo: Carl Court/AFP/Getty Images
“Joseph Malines demonstrated uncanny prescience when he wrote The Fence or the Ambulance, a poem that admirably encapsulates the moral dilemmas that have been at the heart of the debate on the state of the nation's health over the past week. The poem begins: "Twas a dangerous cliff, as they freely confessed/ though to walk near its crest was so pleasant/ But over its terrible edge there had slipped a duke and many a peasant/ So the people said something would have to be done/ But their projects did not at all tally/ Some said, "Put a fence around the edge of the cliff"/ Some, "An ambulance down in the valley."
As the poem unfolds, powerful voices prevail, logic is set aside and the ambulance gets the vote. "'For the cliff is all right if you are careful,' they said. "And if folks even slip or are dropping/ it isn't the slipping that hurts them so much/ as the shock down below when they're stopping." Then an old man remarked: "It's a marvel to me/ that people give far more attention/ to repairing results than to stopping the cause/ when they'd much better aim at prevention … if the cliff we will fence, we might also dispense/ with the ambulance down in the valley."
Last week, not only was the fence not installed but potentially several thousand young people a year, already damaged by poor life chances, will be given a hefty shove over the cliff edge. Jeremy Hunt, the health secretary, announced the surprise postponement of a decision on plain cigarette packages. He awaits the results of a similar experiment in Australia. Yet only weeks before, in April, following a public consultation, Anna Soubry, the health minister whose father died of lung cancer, said that she had been "personally persuaded" of the effectiveness of such a move. Andrew Lansley, former health minister, had also said he believed in the measure's effectiveness. The Department of Health's own research shows that plain packaging is less attractive, especially to young people, and improves the effectiveness of health warnings. Yet last week George Osborne said: "[We need to] take our time to get the right decision." The question is: right for whom? And what if the answer points to a shamefully cynical political exercise that puts the profits, potential political donations and democracy-undermining influence of large tobacco companies and lobbyists before the wellbeing of the electorate and the public purse?
Let us weigh up the evidence. Rates of smoking have fallen sharply. In 1948, 65% of men and 41% of women smoked. Now that has dropped to around 20% and 19% respectively. That is a triumph for public health and proof that the "nanny" state is sometimes a necessity. However, in 2011, smoking was still linked to 80,000 deaths in England. Half of all lifetime smokers will die from a smoking-related disease. As a result, the tobacco industry constantly seeks new customers. The young are an obvious target.
As the Smokefree Action Coalition points out, cigarettes are the only legal product sold in the UK that kill their consumers when used exactly as the manufacturer intends. Even if the government remains unconvinced of the wisdom of plain packaging, an alliance of MPs, charities and health experts and the Faculty of Public Health disagree, as does the public. A YouGov poll in February found that 64% of the public is also in favour. So why the sudden U-turn?
The tobacco giants are spending £2m in a campaign against standardised packaging. Critics also point out that the industry has its very own Trojan horse inside Number 10, in the shape of Australian Lynton Crosby, the Conservatives' general election co-ordinator. Hours after the decision to postpone plain packaging, it emerged that Crosby's company, CTF, has been advising Philip Morris Ltd in Britain since November. Now there are calls for an inquiry. As the lacklustre bill on lobbying moves through parliament, Deborah Arnott, chief executive of the health charity Action on Smoking and Health, rightly says: "David Cameron has called political lobbying the 'next big scandal waiting to happen'. Happen it has, right in 10 Downing Street." Tory MP and GP Dr Sarah Wollaston, who also campaigns for price controls on alcohol, aptly tweeted: "RIP public health. A day of shame for this government; the only winners big tobacco, big alcohol and big undertakers."
Prevention is at the heart of public health, but it has never had an easy seat in Westminster politics. The emergency provision of fleets of ambulances is always the easier, if far more costly, option. Governments work on short-term cycles and they operate on the basis of departmental budgets in silos. Neither encourages the kind of long-term, joined-up, holistic strategy that is essential when shifting damaging lifestyle habits; tackling profoundly unjust health inequalities and reducing poverty. Invest early to spend wisely ought to be the mantra. Last week, Sir David Nicholson, the outgoing head of the NHS, added urgency to the message when he belatedly told us that the NHS faces a £30bn black hole unless it undergoes the kind of radical overhaul also advocated by Dr Hilary Cass, president of the Royal College of Paediatrics and Child Health, speaking on these pages.
A powerfully argued analysis published in the Lancet in March also reminds us that austerity itself carries a severe health penalty: unemployment spawns an epidemic of symptoms. The Lancet points out that across Europe: "The interaction of fiscal austerity with economic shocks and weak social protection … seems to escalate health and social crises … yet public health voices have remained largely silent during the economic crisis."
It is ironic that weak social protection in the UK, and a government apparently swayed by commercial interests, is sparking what could become a profoundly important debate around the future direction of public health and political lobbying. Among the issues that deserve to be considered are effective restraints on lobbyists; an end to the binary division between primary and secondary care; an examination of the self-employed status of GPs; and a much higher political priority given to public health, still the very poor cousin in the NHS.
The Fence or the Ambulance ends with a rallying call, even as the ambulance supporters triumph: "A sensible few who are practical too/ Will not bear with such nonsense much longer/ They believe that prevention is better than cure/ And their party will soon be the stronger." Malines composed his poem in 1895, but how it still resonates today.”
See the original article: http://www.guardian.co.uk/commentisfree/2013/jul/14/plain-cigarette-packaging-health/print
Read more:
Public health comes second to the drink and tobacco industries? No surprise
For those fighting smoking, alcohol abuse and obesity, the latest moves prove the government will never upset business
The Moral Blindness of the English Posh Boys
http://www.gcgi.info/blog/152-the-moral-blindness-of-the-english-posh-boys-
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Ferdowsi’s Shahnameh -The Epic of the Kings with 2 Magnificent Illustrations from the Aga Khan Museum (Image credit: Simerg.com)
Ferdowsi’s epic poem Shahnameh (“The Book of Kings”) is part myth, part history—it begins with the legend of the birth of the Persian nation and its tumultuous history. It contains magical birds, and superhuman heroes, and centuries-long battles. Written over 1,000 years ago, it was meant to protect Persian collective memory amdist a turbulent sea cultural storms. Originally written in couplets, the new translation and adaptation by Ahmad Sadri retells the mythological tales in prose format. The spectacular illustrations in this edition were created from elements culled from thousands of illuminated manuscripts, lithographs, and miniatures dating from the thirteenth through nineteenth centuries, each panel becomes a new work of art, an exquisite collage of traditional forms.
“After the enormous success of the Lord of the Rings and Game of Thrones, as well as blockbusters such as 300 and Clash of the Titans, the time might be right for Persian mythology to find an audience in the west.
Iran's national epic, the Shahnameh, involves many of the same themes and motifs as popular works of fantasy: heroic quests, magical beasts, devilish monsters, passionate romances, fierce intrigues over power, and monumental conflicts fought across immense spans of time.
Written more than 1,000 years ago by Abolqasem Ferdowsi (940–ca. 1019), the Shahnameh recounts a long, legendary history of the Iranian people from the beginning of civilisation until the historical Arab conquest of the region in the seventh century. The heart of the narrative concerns the adventures of Iran's most celebrated mythological hero, Rostam.
Over the centuries, tales from the Shahnameh have been depicted in a variety of styles around the Middle East and central and sub-continental Asia. Versions illustrated by Persian, Mughal, and Ottoman artists can be found in museums from Istanbul to Los Angeles. For all of its many adaptations, however, it has remained largely unknown in the west except in scholarly circles and among Iranians.
But New York–based artist Hamid Rahmanian's recent illustrated rendition with translator Ahmad Sadri of, Shahnameh: The Epic of the Persian Kings could change that. His images draw on thousands of carefully orchestrated elements from paintings, lithographs, and manuscript miniatures from Iran, Mughal India, and the Ottoman Empire between the 15th and 19th centuries, and convey scenes such as dreams and nightmares rarely if ever depicted in previous versions.
Rahmanian describes his process as akin to that of a movie editor splicing frames for a montage or a DJ blending tracks for a mash-up. Taking the visual elements out of their original context to produce new pictures also adds a new layer to their meaning. The images not only convey the Shahnameh's stories, they also bring traditions of literary illustration from distant places and times into intimate dialogue. The unique result is a fresh visual narration that makes the ancient text feel as if it is flows seamlessly, like a finely edited film.”
About the Author
A little over a thousand years ago the Persian poet Ferdowsi of Tous collected and put into heroic verse the millennium-old mythological and epic traditions of Iran. It took him thirty years to write the sixty thousand verses that comprise the Shahnameh or “The Book of Kings”. This monumental work begins with legends of the birth of the Persian nationhood and ends with the Arab invasion of Persia. Written in the aftermath of that national trauma, Shahnameh was meant to harbour the Persian collective memory, language, and culture in a turbulent sea of many historical storms.
Ferdowsi's Shahkar: http://www.pbs.org/wgbh/pages/frontline/tehranbureau/2010/03/ferdowsis-shahkar.html
Ahmad Sadri is currently professor of Sociology and Anthropology and James P. Gorter Chair of Islamic World Studies at Lake Forest College. He has written two books in Persian: “Reviving the Concept of Civilizations,” and “An Apocalypse soon.”
Hamid Rahmanian is a filmmaker and graphic artist whose work has been exhibited in international competitions and publications. His narrative and documentary films have premiered at festivals such as Sundance, Toronto, Tribeca, and Venice, and have gained international recognition for their socially conscious storylines.
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Epic Iranian tale gets an intimate upgrade - in pictures
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In a posting on 28 June 2013, I highlighted the tragedy of youth unemployment in Europe:
Europe's unemployed youths face years trapped in a spiral of poverty and exclusion
“In April 2013, 5.627 million young persons (under 25) were unemployed in the EU-27, of whom 3.624 million were in the euro area. Compared with April 2012, youth unemployment rose by 100 000 in the EU-27 and by 188 000 in the euro area. In April 2013, the youth unemployment rate was 23.5 % in the EU-27 and 24.4 % in the euro area, compared with 22.6 % in both zones in April 2012. In April 2013 the lowest rates were observed in Germany (7.5 %), Austria (8.0 %) and the Netherlands (10.6 %), and the highest in Greece (62.5 % in February 2013), Spain (56.4 %), Portugal (42.5 %) and Italy (40.5 %).”
In all, almost 15m Europeans below the age of 30 are neither in employment, nor in education or training, a measure tagged with the ungainly acronym ‘NEET’.
Today, I wish to shed light on the tragedy of youth unemployment in Africa, a continent so rich in people, tradition, history, culture, natural resources and more.- The Shaming of Europe: The Scourge of the Youth Unemployment (The Lost Generation)
- The Inspiring Story of a Giant Sequoia (Mammoth Tree) of California
- Britain discovering its moral compass: We can now borrow at 5,853% APR!
- Austerity and its Consequences: No Hope for the Youth
- The Decline and fall of America: Social cohesion sacrificed to greed